Defines our understanding of colonialism and empire.

Theodor Adorno is the foremost thinker of the Frankfurt School, the extraordinarily influential group of German thinkers that fled to the US in the 1930s. This book is his classic discussion of the sublime, the ugly and the beautiful 'Art is the sedimentation of human misery'.

Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. This title examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.

This text contains two of Walter Benjamin's essays, The Work of Art in the Age of Mechanical Reproduction , and Theses on the Philosophy of History , as well as others on the art of translation, Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust, and book collecting.

A classic of twentieth century thought, this work is Adorno's literary and philosophical masterpiece.

Many definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed. This book extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information is controlled in the Western world.