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Cultural Amnesia: Notes in the Margin of My Time

by Clive James

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Cultural Amnesia: Notes in the Margin of My Time

'A gigantic book on a gigantic theme' - Sunday Times . 'Aphoristic and acutely provocative: a crash course in civilization' - J. M. Coetzee. A lifetime in the making, Cultural Amnesia is the book Clive James has always wanted to write. Organized from A through to Z, and containing over 100 essays, it's the ultimate guide to the twentieth-century, illuminating the careers of many of its greatest thinkers, humanists, musicians, artists and philosophers.From Louis Armstrong to Ludwig Wittgenstein, via Walter Benjamin, Sigmund Freud, Franz Kafka and Marcel Proust, it's a book for our times - and, indeed, for all time. 'Clive James is one of the most ingeniously stimulating literary critics now writing in English. Cultural Amnesia , with its encyclopedic length and organization and the intense jostle of its ideas, is to be dipped into over weeks and months. If the dipper occasionally brings up exasperation, it brings up astonished delight far more often; and, best of all, exasperated astonished delight' - Boston Globe .

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    "Aphoristic and acutely provocative: a crash course in civilization"- JM Coetzee

    I seem to have become addicted to reading collections of essays recently, and of the choice available to you in our store, this is the one I would recommend. That doesnt necessarily mean it is the best; Anne Fadiman's AT LARGE AND AT SMALL and the new selection of essays from Gore Vidal, along with Tony Judt's REAPPRAISALS are all equally valid contenders to that title. That CULTURAL AMNESIA gets the nod is by virtue of the sheer heft of the volume: it is an absolute doorstop of a book and could easily act as a lethal bludgeoning weapon should the need arise. The length of the book alone cannot be enough to make it the best, of course: what does is the very readable style in which it is written and the sheer number of now-forgotten thinkers, writers, artists and intellectuals it introduces the reder to, while also providing fresh perspectives on well-known figures. Some have argued that the style is too digressive, but I think this actually adds to the book's charm: like a good jazz musician, it's fun to watch where James can wind up when he starts by riffing on the epigrams from other writers with which he begins each chapter (in one absolutely jaw-dropping essay, he manages to go from writign about Arthur Schnitzler to delivering a long and detailed critique of Richard Burton's hairstyle in WHERE EAGLES DARE, and back again. A more serious criticism is that his habit of constantly reminding us that he's read so many difficult foreign authors in their original language, even when done with self-deprecating modesty, does get irritating after a while; but one has to admit that there is something a little petty in that complaint. If he's put in the hours with the dictionaries, who are we to begrudge him a small chance to show off? After all, if he hadnt, the book would probably have been half as long and ten times less interesting. My advice is to get this first, then read the other books listed, and then join me in twiddling your thumbs and waiting impatiently for Daniel Mendelsohn's HOW BEAUTIFUL IT IS AND HOW EASILY IT CAN BE BROKEN to arrive in store here.

    Review by Adam F of the Gateshead Borders on 2009-01-30 10:59:08

What's your view? Write a review for Cultural Amnesia: Notes in the Margin of My Time

ISBN

9780330418867

Published
April 4th 2008 by Pan Macmillan
Category
General
Number of pages
896
County of origin
UNITED KINGDOM
Dimensions
234 x 153

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