'Nothing happens, nobody comes, nobody goes, it's awful.' This line was adopted by Jean Anouilh, to characterize the first production of Waiting For Godot at the Theatre de Babylone, in 1953. Anybody acquinted with Beckett's masterly black comedy would not question the recognition of this twentieth-century literature classic.

Middle-aged history professor George, and his wife Martha, are joined by another college couple. The result is an all-night drinking session that erupts into a nightmare of revelations.

Mr Artur Sammler, a lecturer at Columbia University in 1960s New York City, is a registrar of madness, a refined and civilized being caught among people crazy with the promises of the future (moon landings, endless possibilities). His Cyclopean gaze reflects on the degradations of city life while looking into the sufferings of the human soul.

This play takes readers back and forth between the 19th and 20th centuries. Set in a large country house in Derbyshire, a cast of characters from each century play out their respective dramas. The text explores topics such as the nature of truth and time.