Questioning those who view Impressionism solely in terms of artistic technique, T.J. Clark describes the painting of Manet, Degas, Seurat and others as an attempt to give form to France's modernity and seek out its typical representatives, be they barmaids, sightseers or the petits bourgeois.

In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel. For the next four years, he and a team of assistants laboured over the vast ceiling. This book tells the story of those four years and paints a picture of day-to-day life on the Sistine scaffolding - in the upheaval of early sixteenth-century Rome.

Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence, with its immense, terracotta-tiled cupola, retains a rare power to astonish. This book tells the story of how the cupola was raised, from its conception to its consecration.

The 16th revised and updated edition of this introduction to art, from the earliest cave paintings to experimental art. New artists have been incorporated such as Corot, Kollwitz and Nolde, and six fold-outs present large-scale works such as Van Eyck's Ghent Altarpiece.

In April 1478, a plot to murder the two heads of the powerful Medici family miscarried dramatically in the cathedral of Florence. A bloodbath followed in reprisal. All Italy was affected as it emerged that the Pope, the King of Naples and the Duke of Urbino were deeply implicated in the plot.