Featuring the work of American and European artists, this book traces the history of conceptual art from its origins in the Dada movement through to its current practitioners. It offers an accessible explanation of the phenomenon rooted in a social context. Aimed at A level and undergraduate students, as well as the general reader.

This work consists of an interview with the sculptor Tom Friedman, in which he discusses his influences such as contemporary electronic music; a survey of his work; Friedman's choice and discussion of a play; and facsimiles of the artist's notebooks and writings.

Drawing upon insights in fields such as anthropology and linguistics, this book deals with the concept of historical sequence and continuous change across time.

Conceived as a handbook and teaching aid for artists, instructors, and students, this book presents ideas of colour experimentation, featuring thirty colour studies, with Albers' unabridged text, demonstrating such principles as colour relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency.

Tracing the fertile and fascinating series of collaborations between arts and sciences throughout the 20th century, Randall Packer and Ken Jordan present the history behind multimedia. They assemble a collection of the groundbreaking visions of scientists and artists to show the historical context.