Attractive, affordable, and adorable, this miniature version of a popular Prestel title makes a perfect gift.

Gustav Klimt's art is thoroughly fin de siecle. It expresses the apocalyptic atmosphere of Vienna's upper middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. This title also discusses the Secession movement and Klimt's role within this important group of artists.

An illustrated guide to the collection of the Uffizi Gallery - one of the world's most celebrated art galleries. It provides readers with a look at the gallery's origins and history, as well as discussions about restoration efforts, and biographies of selected artists.

A concise overview of a fascinating but perplexing culture, from the prehistoric period to the present, bringing together the results of recent research. It addresses itself equally to those who come to Japanese art for the first time and to the student.

Autobiography of Benvenuto Cellini, celebrated Italian goldsmith (1500-1571), in which Cellini tells the story of his life and art and also depicts the manners and morals of both the rulers and their subjects in 16th Century Italy. This new edition includes new notes on the text and a chronology.

Gathers interviews, articles, letters, and manifestos dealing with Postimpressionism, symbolism, fauvism, Expressionism, and cubism.

Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence, with its immense, terracotta-tiled cupola, retains a rare power to astonish. This book tells the story of how the cupola was raised, from its conception to its consecration.

In Istanbul, in the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day - in the European manner. But when one of the miniaturists goes missing and is feared murdered, their master seeks outside help.

A visual guide to enjoying and appreciating art. It helps readers discover how masterpieces were created and where they can be viewed. It is suitable as a museum and gallery companion.

Born in France and Belgium, the cradles of literary Symbolism, Symbolist painting plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarme and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express the Idea, and the imaginary therefore plays an important part in their work.

J.W. Waterhouse was one of the most successful painters of the Victorian age, with many of his paintings becoming archetypal Victorian images. In this book the author, a practising painter and teacher, gives an artist's appreciation of Waterhouse as a master of Romantic Classicism.

First published in the early 1960s, this history of Greek art has been enlarged and rewritten. It takes into account new finds as well as new ideas and attitudes to the subject, and emphasizes that Greek art should be seen in its proper context, not that of galleries and museums.

In 1863, the French painter, Ernest Meissonier was one of the most famous artists in the world. Manet, on the other hand, was struggling in obscurity. Taking the parallel careers of Meissonier and Manet, this book uses them as a lens for their times. It shows that their paintings was not just about Art, it was about how to see the world.

How does environment influence history? How are events and personalities, wars and nationalities shaped by their surroundings, by the very rise and fall of earth, water and forest? This work attempts to answer these questions and gives a portrait of the world around us and how it shapes us.

Edward Hopper (1882-1967) is considered the first significant American painter in 20th century art. Living in a secluded country house with his wife, Josephine, he depicted the loneliness of big city people in canvas after canvas. Many of Hopper's pictures represent views of streets and roads, rooftops, abandoned houses.

Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician ..

All over Europe in 1848, governments and thrones were falling. In England, political revolution was averted, but in the same year three students started an artistic revolution that was to reverberate through the rest of the century. This is the story of the pre-Raphaelites.

Published in 1975, this autobiography of private Andy Warhol talks about love, sex, food, beauty, fame, work, money, success; about New York and America; and about himself - his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the Sixties, and life among celebrities.

This work offers a unified field theory of Western culture, high and low, since the Egyptians invented beauty. From Emily Dickinson and Medusa to Madonna, it makes a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and demonic nature.

In this volume an informative interview with Clifford Ross, an artist and a long-time friend of Edward Gorey, introduces the reader to Gorey himself. Art critic Karen Wilkin discusses Gorey's style and sets it in the context of narrative art and popular culture.