From the primitive clothes of prehistoric times to the whimsical fashions of today, the history of costume is a vast and popular subject. Over 1000 illustrations drawn from many sources accompany the text.

Corsets and Crinolines is a study of the changing shapes of women's dress and how these were produced.

The Kyoto Costume Institute holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. This title showcases a vast selection from the Institute's archives of skilled photographs depicting the clothing expertly displayed and arranged on custom-made mannequins.

Reveals the decorative seams, exquisite stitching, voluptuous drapery, strict corseting and slashing and stamping that make up the clothing in the V&A's superlative seventeenth and eighteenth-century fashion collection. This work is suitable for students, designers, collectors and followers of fashion.

This is an illustrated study of the representation of the body and clothing in Western art, from Greek sculpture and vase painting, through medieval and Renaissance portraits, to contemporary films and fashion photography.

This is a vivid record, in words, illustrations and working diagrams, of a section of women's clothing design from 1600 to 1930. The author was in charge of costume at the Theatre Studio run by Michel Saint-Denis in the 1930s.

This history of fashion reflects the popularity of the V&A Museum's world famous dress collection. It tells the story of men's and women's fashionable dress through the ages, covering clothes for all occasions and including a wide range of accessories such as shoes, fans and hats.

From the invention of the needle 40,000 years ago to the biggest names in fashion today, this is a classic guide to the landmarks of costume history and to the forms and materials used through the ages. Also included are the underlying motives of fashion and the ways clothes can express identity.

An essential element of fashionable dress from the Renaissance into the 20th century, the corset has been viewed not only as an object of eroticism but also as an instrument of torture and subjugation. This is an exploration of the cultural history of the corset.

Brooches, rings, buckles, pendants, buttons, purses and other accessories were part of everyday dress in the middle ages. This book describes and discusses over two thousand such items dating from the period 1150-1450, found in archaeological excavations in London. It is suitable for general reader interested in costume and design.

This work on the wardrobe of Queen Elizabeth I is illustrated with photographs of portraits, minatures, tomb sculptures, engravings, woven textiles and embroiders. Two indexes are provided: the first of paintings, persons, places and events; the second offering information on fashionable dress.