The dynamic relationship between rock music and visual art crosses continents, generations, and cultures. This book looks at the relationship between visual arts and rock-and-roll culture, charting their intersection through works of art, album covers, music videos, and other materials. It is suitable for admirers of contemporary art and culture.
In this collection Dan Graham explores the rationale behind his own art. The essays, which include his most canonical texts, are organized both thematically and chronologically. They chart his career from conceptual art for magazine pages of the 1960s, to his pavilion sculptures of the 1980s-1990s.