Robert Mangold is a pre-eminent figure in post-war painting. This monograph presents a retrospective of his work, made in close association with the artist himself.

Per Kirkeby was born in Denmark in 1938 and came to prominence as part of the rise of New Painting in the early 1980s, alongside artists including Georg Baselitz and A R Penck. This book explores the trajectory of an artistic career that has spanned half a century.

Erle Loran, a young artist who wanted to fathom the mysteries of Cezanne's structural form, took up residence in the master's studio in Aix-en-Provence. This book features photographs, which analyze over 30 of Cezanne's paintings.

Drawings Work Comes Out of Work. For the first time since 1990, the Kunsthaus Bregenz has exhibited approximately 60 drawings by Richard Serra in a comprehensive presentation of the sculptors graphic oeuvre. This catalogue, published in conjunction with this historically important exhibition was produced in close cooperation with Richard Serra and presents six work series from nearly two decades .

In addition to the 22 original essays, this edition includes 9 new ones as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making it accessible.

This work gathers together texts by contemporaries of Paul Cezanne (1839-1906) - including artists, critics and writers - that illuminate the painter's philosophy of art, particularly in his later years.

A Brice Marden retrospective.

Camille Pissarro (1830-1903) was a ceaseless innovator and organizer whose ideological concerns were as profound as his aesthetic interests. This work examines how Pissarro's artistic theories and social convictions influenced his Impressionist and Neo-Impressionist work. It also looks at Pissarro as a painter who identified with labourers.

Jasper Johns (b 1930), is rarely considered in relation to monochromatic art. Yet single-colour experimentations have figured prominently in his productions since 1955, and within that significant subset of his work, the majority of monochromes are grey. This book, spanning Johns' full career, examines this singular preoccupation.

Features a contribution from art historian and critic Richard Shiff, as well as a conversation between Peter Doig and British artist Chris Ofili. This book includes over 60 major paintings of Peter Doig, as well as a comprehensive collection of works on paper.

The first book ever to examine closely Pissarro's approach to pictorial composition. Published to accompany the exhibition at the Art Gallery of New South Wales from 19 November 2005 - 19 February 2006.

Shows that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by twentieth-century high modernism. This work also reveals how the nineteenth-century invention of photography and film, did not diminish the traditional medium of painting but rather propelled it in new directions.

A Retrospective.

Features a contribution from art historian and critic Richard Shiff, as well as a conversation between Peter Doig and British artist Chris Ofili. This book includes over 60 major paintings of Peter Doig, as well as a comprehensive collection of works on paper.

In an age where art history's questions are expected to receive answers, this work embraces doubt as a critical tool and asks how particular histories of art have come to be. It is a study of the tension between practicing art and practicing criticism.