Two minor characters from Hamlet offer a novel view of the melancholy Dane.

This play takes readers back and forth between the 19th and 20th centuries. Set in a large country house in Derbyshire, a cast of characters from each century play out their respective dramas. The text explores topics such as the nature of truth and time.

The classicism of Lady Croom's grounds are being turned into a romantic chaos. In a room overlooking the work, her daughter and tutor are disturbed by, among others, Lady Croom and Ezra Chater. In the same room, 180 years later, a group try unsuccessfully to unravel the events of 1809.

Liubov Ranevskya, a widowed landowner returns home more or less insolvent after five years abroad. Everything appears just as she remembers it but hers is a diminishing world. The vast and beautiful cherry orchard is soon to be sold off against her mounting debts.

A Tom Stoppard play in which a young English poet visits India in 1930 and finds herself poised between two very different societies. Flora has her portrait painted by an Indian artist, and 60 years later the portrait, the artist's son and Flora's sister come together in London.

A collection of Tom Stoppard plays which reflect a combination of the frivolous and the serious aspects of his talent.

A collection of Tom Stoppard's radio plays, written between 1964 and 1991, including In the Native State , which became the stage play Indian Ink .

This fourth volume of Stoppard's work, with an introduction by the author, brings together five of his translations and adaptations of plays by Schnitzler ( Dalliance and Undiscovered Country ), Molnar ( Rough Crossing ), Nestroy ( On the Razzle ) and Chekhov ( The Seagull ).

Tynan was not only the 20th century's most influential theatre critic, but his writing was itself a 'high-definition performance' - one of the qualities he always sought in others. This volume brings together the best of Tynan's theatre writing drawn from his twelve years as a theatre critic (1951-63).

Tom Stoppard's first novel, originally published in 1966, includes not only the eighteenth-century figure of the dandified Malquist and his ineffectual Boswell, Moon, but also a couple of cowboys with six-shooters, a lion (banned from the Ritz) and a donkey-borne Irishman claiming to be the risen Christ.

This play is one of three sequential, self-contained plays which tell the story of some of the main actors in the drama of Russian radical opposition in the years pivoted on the European revolutions of 1848. The trilogy spans the early 1830s and the late 1860s.

Tom Stoppard's new play is centered around A.E.Housman, poet and Classics scholar, whose most famous poem was A Shropshire Lad. This new play premiered at the Royal National Theatre in 1997, directed by Richard Eyre.