A lavishly illustrated celebration of lists in art and literature by one of Europe's most influential writers and thinkers.

Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is overshadowed by seven bizarre deaths. He collects evidence, deciphers secret symbols and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night.

This novel by the author of The Name of the Rose follows that book's format of a complex intellectual thriller. The plot ranges back and forth through the centuries, full of arcane knowledge, secret societies, love, death, passion and perversion.

Umberto Eco has been invited to direct all cultural events scheduled at the Louvre during November 2009, and his chosen theme is 'the vertigo of lists'. This book is published in conjunction with events at the museum and features a lavish reproduction of art works from its world-famous collection.

Yambo struggles through the frames to find at last the face of the girl he loves.

Yambo, a sixty-ish rare book dealer who lives in Milan has suffered a loss of memory; not the kind of memory neurologists call 'semantic' (Yambo remembers all about Julius Caesar and can recite every poem he has ever read), but rather his 'autobiographical' memory: he no longer knows his own name, doesn't recognize his wife or his daughters.

From the world-famous author of THE NAME OF THE ROSE, an illuminating and humourous study on the pleasures and pitfalls of translation.

Who is killing monks in a great medieval abbey famed for its library - and why? Brother William of Baskerville is sent to find out, taking with him the assistant who later tells the tale of his investigations. This story combines elements of detective fiction, metaphysical thriller, post-modernist puzzle and historical novel.

In this new translation by Geoffrey Brock, the prize-winning translator of 'Cesare Pavese' and 'Umberto Eco', 'Pinocchio' finally has an English rendering worthy of the inspired original.

Set in Italy in the Middle Ages, this is not only a narrative of a murder investigation in a monastery in 1327, but also a chronicle of the 14th century religious wars, a history of monastic orders, and a compendium of heretical movements.

Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.

The author of The Name of the Rose considers a wide range of topics, from Superman and Casablanca , Federico Fellini and Michelangelo Antonioni, Jim Jones and mass suicide, and Woody Allen, to pop festivals and football, and not least the social and personal implications of tight jeans.

Set in the 17th century, in Italy, France and on the high seas, this is a tale of medieval legends and dastardly deeds, mixed with portions of exploration literature. Roberto, a young nobleman, waits alone on a Pacific island, separated from the island beyond: the island of the day before.

From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was a perfect language, expressing all possible things, and that all current languages were its decadent descendants. This is an investigation into the history of this idea.

A summary of mediaeval aesthetic ideas, by Italian novelist and playwright Umberto Eco. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of mediaeval culture.

'On Beauty' is neither a history of art, nor a history of aesthetics but Umberto Eco draws on the histories of both these disciplines to define the ideas of beauty that have informed sensibilities from the classical world to modern times.

Umberto Eco explores the intricacies of fictional form and method. With a series of examples, ranging from fairy tales to Mickey Spillane, Eco draws his readers in by making them collaborators in the creation of text, and in the investigation of some of fiction's most basic mechanisms.

An attempt to answer the question, how much do our perceptions of things depend on our cognitive ability and how much on our linguistic resources? Eco undertakes a series of idiosyncratic explorations, starting from the perceived data of common sense, to expound a clear critique of Kant.

This title concerns the extraordinary historical consequences of errors and fictional inventions.