Inventory 2. This publication is the second inventory of the works of M/M Paris that have appeared in the art world as specific objects, coming from a condensation of different collaborations, where they have been constructed, presented and represented. M/M Paris was formed in 1992 by Michael Amzalag Matthias Augustyniak, working in the fields of art, music and fashion. This publication is the ...

The Evening Redness in the West. Following Shovlins exhibition A Dream Deferred at Haunch of Venison London in 2007, The Evening Redness in the West continues the artists exploration of post-war American history, politics and culture through referencing diverse sources from both the media and popular culture. Taking its title from the sub-title of Cormac McCarthys classic novel, Blood Meridien, ..

Studio Wall Drawings 1997 - 2007. In the late 1990s, after years of working with machines and methods based on randomness, Keith Tyson began working on Studio Wall Drawings, which provided a more personal means of mapping out new ideas. Acting as large format notepads the subject of the works soon developed to include individual experiences and world events. The day oil prices reached , the ...

Pacific Tsunami. Japanese-American artist Gajin Fujita presents a series of new panel paintings and works on paper in Pacific Tsunami, his first UK solo show at Haunch of Venison London. Born and raised in LA, Fujita's work is greatly informed by the artist's own cultural heritage and background - large-scale paintings present graffiti overlaid with stylised geisha women, samurai warriors, ...

Contemporary Art from South Africa. Home Lands - Land Marks is an exhibition of new and recent work from seven leading South African artists at Haunch of Venison, London, and the first in London to focus on contemporary South African art since 1995. The publication focuses on images and invocations of landscape which explore contemporary South Africa. Differing from the usual approach to post-apar

This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls.

Millions Now Living Will Never Die. Brian Alfreds ambitious new project Millions Now Living Will Never Die!!! maps the many and diverse creative influences that have acted upon the artist in the form of 333 portraits of musicians, artists, actors, writers and politicians, a series of animated portraits and a mash up soundtrack. The project proposes that personal creativity can be understood as a .

Published to accompany the group exhibition of the same name at Haunch of Venison, June - September 11, 2004. Includes artworks by 17 acclaimed international contemporary artists from Europe and America which explore the issue of how the otherness of animals opens up new ways of thinking.

Universal Recipient. Published on the occasion of the artists first exhibition with Haunch of Venison, Universal Recipient presents Jitish Kallats engagement with the city of his birth, Mumbai. Interested in using language of the downtrodden, he appropriates the graffiti, peeling paint and broken glass of the city into the language of his work, addressing both the health of the nation and Mumbais

Rachel Howard. British artist Rachel Howards first exhibition with Haunch of Venison (11 January - 23 February 2008) explores the notion of a beauty that is born out of everyday tragedy. In a series of figurative and abstract paintings, and accompanying ink-on-paper studies, Howard conducts an ongoing investigation into the meaning of death, as experienced both through personal experience and ...

Thomas Joshua Cooper is one of the world's most celebrated and distinctive landscape artists and photographers. Cooper's most ambitious project is The World's Edge - The Atlantic Basin Project, an epic endeavour begun in 1990 to map the extremities of the land and islands that surround the entire Atlantic Ocean. 'Point of No Return' marks the completion of part I of this project.