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NO EXPEDITED SHIPPING! Brand new item.

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Hardcover, ex-library, with usual stamps and markings, in good all round condition. pp., 2050grams, ISBN: 0262024543.

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Ships from the UK. Shows some signs of wear, and may have some markings on the inside. Your purchase also supports literacy charities.

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232 by 181 mm.

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Trade paperback (US). Glued binding. 628 p. Contains: Illustrations. October Books (Paperback).

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Very light wear to dust jacket; book itself is unread and in mint condition.

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Named one of The Art Book's Best Books of the Decade (March 2003). Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions. This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Re¬isme in France (Arman, Yves Klein, Jacques de la Villegle(c)¬ art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchlohs method, which integrates formalist and socio-historical approachesspecific to each subject. ISBN10: 0262523477.

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VG-in shelfworn wraps; underlining.

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Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. Named one of The Art Book's Best Books of the Decade (March 2003). Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions. This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Re¬isme in France (Arman, Yves Klein, Jacques de la Villegle(c)¬ art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchlohs method, which integrates formalist and socio-historical approachesspecific to each subject. ISBN10: 0262523477.

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Hardcover, ex-library, with usual stamps and markings, in good all round condition. pp., 2050grams, ISBN: 0262024543.