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To great writers, Walter Benjamin once wrote, finished works weigh lighter than those fragments on which they labour their entire lives. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - the theatre, as the author called it, of all my struggles and all my ideas. Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as fashion, boredom, dream city, photography, catacombs, advertising, prostitution, baudelaire, theory of progress. His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed true history that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by progress, Benjamin finds the lost time(s) embedded in the spaces of things.
Ships with US tracking number. Good, a few underlines/margin marks to text. Reading wear to edges. Dust jacket has reading wear and shelf rubbing and edge bumping/curl. Front cover cutout has small taped tear. 
Some warping to pages, edges worn, musty smell. Text is clean, binding sound. 
8vo 067404326x 1073 pp. Text clean, solid binding. Near Fine in like DJ. 
067404326X Good condition. May have some markings & or shelfwear. All pages intact. Used items may not include extras such as infotrac, CD or other web access codes. 
4to; cloth backing; 1071pgs; index. trans by Howard Eiland and Kevin Mclaughlin; German text edited by Rolf Tiedemann; b/w illustrations; isbn: 067404326x. 
Conceived in Paris in 1927 and still in progress in 1940 when Benjamin fled the Nazis, only to find death on the Spanish border, The Arcades Project is his magnum opus: a new theory of history embodied in a new literary and philosophical historiography. 
Sewn binding. Cloth over boards. With dust jacket. 1088 p. Contains: Illustrations. 
Hardcover. 8vo. Belknap Press. 1999. 1088 pgs. Illustrated. DJ in excellent shape, unclipped and with no tears present. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx458; 2.2 x 10.08 x 6.61 Inches; 1088 pages; Because he was Jewish and a Marxist in Nazi Germany, history was against the great literary and cultural critic Walter Benjamin (1892-1940). His writings were left scattered in ephemeral publications, went unpublished or were simply left unfinished when, in 1940, the critic committed suicide because he believed that the Gestapo was about to seize him. In Germany, his works have been compiled and scrupulously edited, and now, at last, American readers too have access to his final, great unfinished work in an edition that is both well translated and helpfully annotated by the editor of the German edition, Rolf Tiedemann. In 1927, Benjamin began taking notes for a book that would critique the cultural, public, artistic and commercial life of Paris, a city Benjamin thought of as the "capital of the nineteenth century. " The arcades of the title are the city's glass-covered shopping malls dating from that era. This edition is comprised of the fastidious notes he made for this never-completed study. Essentially, Benjamin was planning to write a prehistory of the 20th century. The lively arcades--colorful scenes of public mixing, modern shopping and quotidian activities of all sorts--figure as a focusing device. His ambition was to integrate a picture including advertising, architecture, department store shopping, fashion, prostitution, city planning, literature, bourgeois luxuries, slums, public transit, photography and much more. His perspective is largely Marxist, but not in any conventional or dogmatic sense. Benjamin's chief virtue is an uncanny originality of vision and insight that transcends the constraints of ideology. (Dec. ) 
xiv, 1073 pp., illus.; 27 cm. Prepared on the basis of the German volume edited by Rolf Tiedemann. AS NEW. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. 
Focusing on the arcades of 19th-century Paris, the glass-roofed rows of shops, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "Fashion... 