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Books have varying amounts of wear and highlighting. Usually ships within 24 hours in quality packaging. Satisfaction guaranteed.

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Unmarked. Very light shelf wear to back cover corner.

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Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy!

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Near fine in publisher's slightly rubbed decorated wrappers. Available in our UK premises for prompt dispatch worldwide.

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Coded FIRST Edition / First Printing (2005) BOOK NOTES: FINE / Softcover book has minimal cover wear including light edge curl and bumping; inside crisp and clean with NO markings. Binding is solid and true. 224 pages. Buy with confidence. The only book you regret is the book you didn't buy. Thanks for looking.

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0192801600 NEW/UNREAD! ! ! Text is Clean and Unmarked! --Be Sure to Compare Seller Feedback and Ratings before Purchasing--Has three small black lines on bottom/exterior edge of pages. May have light shelf wear to cover from storage, if any.

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Publisher overstock. May have remainder mark.

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(224 pages) what do we mean when we call a work of art beautiful? how do perceptions of beauty change with the passage of time? this title explores these questions, showing the vital relationsh1p between our changing notions of beauty and specific works of art. it charts the story of western art, from eighteenth-century germany to the late 20th century. numerous colour and halftone illustrations (Paperback)

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(224) what do we mean when we call a work of art 'beautiful'? how have artists responded to changing notions of the beautiful? which works of art have been called beautiful, and why? fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. prettejohn argues that we simply cannot afford to ignore these questions. charting over two hundred years of western art, she illuminates the vital relationsh1p between our changing notions of beauty and specific works of art, from the works of kauffman to whistler, ingres to rossetti, cezanne to jackson pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century? (Paperback)

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Brand new book-no defects-, ..

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Text clean & bright; binding tight; minor wear to covers. 224 pages. Illustrated in color and b&w.

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What do we mean when we call a work of art beautiful? How do perceptions of beauty change with the passage of time? This title explores these questions, showing the vital relationship between our changing notions of beauty and specific works of art.

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Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. Beautifully illustrated with 100 photographs— 60 in full color— "Beauty & Art" concludes with a challenging question for the future: Why should we care about beauty in the 21st century? ISBN10: 0192801600.

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Excellent customer service. May ship from alternate location depending on your zip code and availability. Satisfaction guaranteed! !

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0192801600 Good condition. May have some markings & or shelfwear. All pages intact. Used items may not include extras such as infotrac, CD or other web access codes.

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PLEASE NOTE: All books are promptly imported from the UK using DHL or Royal Mail international mail WITH TRACKING NUMBER. Delivery is typically 5-10 working days. Please do not select expedited shipping. Professional and reliable bookseller (est.1987). What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should w...