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Series preface james elkins section 1 introductory essay art history as a global discipline james elkins section 2 starting points notes on art history in latin america andrea giunta on david summers's real spaces james elkins the modality of spatial categories friedrich teja bach is a truly global art history possible? ladislav kesner section 3 the art seminar participants: friedrich teja bach, james elkins, andrea giunta, ladislav kesner, sandra klopper, david summers section 4 assessments ralph ubl maria de los ángeles taberna and humberto valdivieso barbara maria stafford matthew rampley chika okeke-agulu keith moxey suzana milevska atta kwami dan karlholm romuald tchibozo suman gupta george intsiful shigemi inaga craig clunas david carrier kitty zijlmans hans dam christensen jorgelina orfila charlotte bydler frank vigneron carol archer heie treier atreyee gupta and sugata ray thomas dacosta kaufmann sandy ng mariusz bryl leonard bell section 5 afterwords globalizing art history shelly errington notes on contributors index this is the third volume in the art seminar, is essential reading on art and visual studies with contributions from the worlds' most prominent and widely-travelled art history scholars this is the third volume in the art seminar, james elkin's series of conversations on art and visual studies. is art history global? will stage an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. participants will range from keith moxey of columbia university to cao yiqiang, ding ning, cuautemoc medina, oliver debroise, renato gonzalez mello and other scholars. (Paperback)

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Trade paperback (US). Glued binding. 128 p. Contains: Illustrations.

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Featuring contributions from the world's prominent and widely-travelled art history scholars, this third volume in "The Art Seminar" deals with art and visual studies.

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Globalism is arguably the most pressing issue facing art criticism and art history. As the number of art history departments continues to grow, there is a danger art history will become a uniform practice around the world and may soon settle to a glo...

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Trade paperback (US). Glued binding. 128 p. Contains: Illustrations.

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PLEASE NOTE: All books are promptly imported from the UK using DHL or Royal Mail international mail WITH TRACKING NUMBER. Delivery is typically 5-10 working days. Please do not select expedited shipping. Professional and reliable bookseller (est.1987). This is the third volume in "The Art Seminar, " is essential reading on art and visual studies with contributions from the worlds' most prominent and widely-travelled art history scholars.

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Globalism is arguably the most pressing issue facing art criticism and art history. As the number of art history departments continues to grow, there is a danger art history will become a uniform practice around the world and may soon settle to a global standard. "Is Art History Global"? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. The topics are political, economic, philosophic, linguistic, and personal. Should Chinese art be discussed using Western methods such as psychoanalysis or deconstruction? Is it best to use words like "space" and "time" to describe non-Western art, or should historians try to employ the words used in different cultures? How is art history taught without books, slides, or artworks? What relevance does the Western narrative of art have for art history students in Argentina, South Africa, Indonesia, or Tibet? "Is Art History Global? " is essential reading on one of the thorniest questions facing the discipline today. This is the third volume in "The Art Seminar, " James Elkin's series of conversations on art and visual studies. ISBN10: 0415977851.

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viii, 464 pp., bib. notes, index; 21 cm. AS NEW. "Globalism is arguably the most pressing issue facing art criticism and art history. As the number of art history departments continues to grow, there is a danger art history will become a uniform practice around the world and may soon settle to a global standard. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. The topics are political, economic, philosophic, linguistic, and personal. Should Chinese art be discussed using Western methods such as psychoanalysis or deconstruction? Is it best to use words like 'space' and 'time' to describe non-Western art, or should historians try to employ the words used in different cultures? How is art history taught without books, slides, or artworks? What relevance does the Western narrative of art have for art history students in Argentina, South Africa, Indonesia, or Tibet? Is Art History Global? is essential reading on one of the thorniest questions facing the discipline today. This is the third volume in 'The Art Seminar, ' James Elkin's series of conversations on art and visual studies. "-Publisher.

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Series preface james elkins section 1 introductory essay art history as a global discipline james elkins section 2 starting points notes on art history in latin america andrea giunta on david summers's real spaces james elkins the modality of spatial categories friedrich teja bach is a truly global art history possible? ladislav kesner section 3 the art seminar participants: friedrich teja bach, james elkins, andrea giunta, ladislav kesner, sandra klopper, david summers section 4 assessments ralph ubl maria de los ángeles taberna and humberto valdivieso barbara maria stafford matthew rampley chika okeke-agulu keith moxey suzana milevska atta kwami dan karlholm romuald tchibozo suman gupta george intsiful shigemi inaga craig clunas david carrier kitty zijlmans hans dam christensen jorgelina orfila charlotte bydler frank vigneron carol archer heie treier atreyee gupta and sugata ray thomas dacosta kaufmann sandy ng mariusz bryl leonard bell section 5 afterwords globalizing art history shelly errington notes on contributors index this is the third volume in the art seminar, is essential reading on art and visual studies with contributions from the worlds' most prominent and widely-travelled art history scholars this is the third volume in the art seminar, james elkin's series of conversations on art and visual studies. is art history global? will stage an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. participants will range from keith moxey of columbia university to cao yiqiang, ding ning, cuautemoc medina, oliver debroise, renato gonzalez mello and other scholars. (Hardback)

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PLEASE NOTE: All books are promptly imported from the UK using DHL or Royal Mail international mail WITH TRACKING NUMBER. Delivery is typically 5-10 working days. Please do not select expedited shipping. Professional and reliable bookseller (est.1987). This is the third volume in "The Art Seminar, " is essential reading on art and visual studies with contributions from the worlds' most prominent and widely-travelled art history scholars.